The New Amsterdam Ghost – Part II

After seeing the unsettling apparition of a beautiful woman late one night at the soon-to-be opened New Amsterdam Theatre in New York City, the night security guard viewed a collection of photographs at the theater manager’s office and pointed to an image of Olive Thomas.   The manager, Dana Amendola, now the Vice President of Disney Theatricals, began to do a little research and uncovered what he could about the woman.

Olive Thomas - Bain News Service (Library of Congress)

Olive Thomas – Bain News Service (Library of Congress)

Olive Thomas started as a model after winning The Most Beautiful Girl in New York City contest.  She joined the Ziegfeld Follies in 1915.

The Ziegfeld follies were the creation of Florence Ziegfeld, Jr., a theatrical impresario.

Florence Ziegfeld, Jr. - Photo by Alfred Cheney Johnston (Library of Congress)

Florence Ziegfeld, Jr. – Photo by Alfred Cheney Johnston (Library of Congress)

He launched the show in 1907, and it remained popular until 1931. The revue-like format brought together vaudeville talent like Eddie Cantor, Josephine Baker, and W.C. Fields, with music from top composers such as Irving Berlin, and elaborately staged scenes. The stage musical and then the movie, Funny Girl captured the glamour and grandeur of the follies as it tells the story of Fanny Brice’s time with the show.

1968 Movie Poster

1968 Movie Poster

Although married to Billie Burke, Ziegfeld had a reputation for having affairs including with Olive Thomas.  This famous painting from 1920 allegedly hung in Ziegfeld’s office at the New Amsterdam.  Olive supposedly ended the affair when Ziegfeld refused to leave his wife.

Painting by Alberto Vargas

Painting by Alberto Vargas

She moved to Hollywood to begin a movie career.  There she met and married Jack Pickford brother of the famous Mary Pickford.  Tragedy struck on their second honeymoon in Paris on September 5th, 1920.  Jack said that when he retired after a night of partying, Olive mistakenly took bi-chloride of mercury.  The coffin-shaped pills were to be crushed and applied as a topical treatment for Jack’s syphilis.  After failed attempts to save her, Olive died in agony 5 days later, blind and her throat too burned for her to speak.  Despite rumors that she was murdered or committed suicide, the French police ruled her death accidental.

In the months following her death, stage hands saw the ghost of Olive at the theater.  She wore a green beaded gown and carried a blue bottle in her hand.   Dana Amendola discovered that the sightings of Olive in the theater’s early days coincided with how his security guard had seen her.

Paranormal activity continued at the theater following its reopening on April 2, 1997.  One stage hand reported that during the run of the The Lion King, while he was working in what is called the trap room beneath the stage, he felt something behind him.  He glanced over his shoulder and saw a pair of see-thru legs going up the stairs to the stage.  Although the hair on the back of his neck stood up, he didn’t feel threatened.

According to Amendola, Olive only appears to men.  In the introduction of my book, Ghosts and Murders of Manhattan, I recount what happened to one of my fellow ushers the night we all slept at the theater due to a snow storm.  Read the excerpt here.

Some of the paranormal experiences at the theater seem a bit more aggressive.  In my next blog post, I’ll recount more of the strange happenings, and the murders I discovered occurred at the theater that may also be related to its paranormal history.

Out of the Ashes…

Monday, March 25th, 2013 passed for most people as an ordinary day.  People went to work and returned home safe and sound, but 102 years ago, the day ended differently for a group of workers in New York City.  Some of them have never left the building they died in.

Asch Building (1911)Image courtesy of the Library of Congress

Asch Building (1911)
Image courtesy of the Library of Congress

The Asch Building (foreground above), at the intersections of Washington Place and Greene Street, housed the Triangle Shirtwaist Factory on its top three floors in 1911.   A shirtwaist was the name for the blouses made popular by the Gibson girls in that era.

Artist: Gibson, Charles Dana, 1867-1944 Courtesy of the Library of Congress

Artist: Gibson, Charles Dana, 1867-1944 Courtesy of the Library of Congress

The executives offices were located on the 10th floor.  The 8th and 9th floors were large open spaces with most of the sewers occupying big long rows of machines on the 9th. Most of the employees were young, immigrant women who counted themselves lucky to be sewing rather than standing for 14 hours in a department store or in a dangerous, stifling commercial laundry.  Still they worked 52 hours or more a week, Monday through Saturday producing 10-12,000 shirts a week.

Moods ran high on March 25th, 1911 because quitting time came sooner on Saturdays. On the 8th floor at 4:40 p.m., as employees gathered their coats and belongings, supervisors started to pass out paychecks, and someone threw a cigarette butt into one of the bins.  The tissue paper and scrap fabric burst into a ball of fire.  People grabbed buckets of water that were on hand as required, but the materials were too flammable, rendering the water useless.  The flames quickly engulfed the main exit area, so people ran to the rear exit, but workers had to wait for a manager to come and unlock the door.  Brave elevator operators made as many trips as possible until the fire blocked their way.  Someone on the 8th floor alerted the 10th floor executive offices of the fire, but the switchboard operator then dropped the phone, leaving no one able to call the 9th floor.

Most of the people on the 10th floor followed the owners through the dense smoke in the main stairwell to the roof.  They were dismayed to find that their building was shorter than the New York University building next door.  Fortunately a professor, leading a lecture, noticed the fire, and he and his students rushed to the roof and lowered ladders rescuing everyone there.

Sewing room, shirt factory, Troy, N.Y. -Image courtesy of the Library of Congress

Sewing room, shirt factory, Troy, N.Y. –
Image courtesy of the Library of Congress

The sewers worked in a room that encompassed the building’s entire ninth floor, similar to the Troy, NY factory depicted above.  Machines hummed until 4:45 p.m. when the quitting bell sounded. That’s when the fire reached them.  Flame and smoke blocked the main entrance, so people rushed to the only other staircase but found the exit door locked. No one had a key.

Some of the girls remembered the fire escape that hung on the inside airshaft of the building.  Fire danced up from the eighth floor making it a harrowing journey down. The  rungs measured only 18 inches wide.  Abe Gordon, a button puncher, saw that there were no exits at the bottom of the air shaft, so he kicked through a 6th floor window.  As he pulled his foot off the balcony, his clothes smoking, he heard a grinding screech followed by shrill screams as the fire escape collapsed, sending 24 souls to their death by falling onto the spiked iron fence at the bottom or through the basement skylight.

Image courtesy of the Library of Congress

Image courtesy of the Library of Congress

Firemen arrived at 4:47 p.m. to bodies crashing to the pavement.  They looked up to see faces pressed against the ninth floor windows with flames behind them.  The firemen extended their ladder to the sky, but it stopped at the sixth floor, 30 feet too short.  They held out catch blankets for the jumpers, but the force of the fall ripped the blankets from the rescuers hands, and most victims died on impact.

Image courtesy of the Library of Congress

Image courtesy of the Library of Congress

One woman, surrounded by flames, tossed her new hat into the air, dumped her money on to the crowd below, and jumped.  Another man helped women up on to the windowsill, so they could jump. One of the women he embraced tightly and gently lowered her to her death.  A United Press reporter, William Shepherd, who arrived with the first fire truck, described the man “…as if he were helping them into a streetcar instead of into eternity.” Twenty-one people jumped from the Washington Place side of the building, while another thirty-three jumped or fell from the Greene Street side.

Image courtesy of the Library of Congress

Image courtesy of the Library of Congress

The last body fell at 4:57 pm.  Seventeen minutes after the fire began, 146 people were dead or dying.  Most were young women between the ages of 16 and 23. Authorities established a morgue on the pier at East 26th Street, opening the doors to the public at midnight.  Through the night wails of grief echoed in the cavernous space as more than 6,000 people an hour wandered “Misery Lane”.

Image courtesy of the Library of Congress

Image courtesy of the Library of Congress

The Asch Building, now the Brown Building belonging to New York University, still stands and has a history of hauntings. People of have smelt burnt flesh, smoke, and heard screams in foreign languages. Some have seen bodies on the sidewalk. A woman has been seen running in terror down the hallway.  A friend of mine who attended NYU did not experience such dramatic events, but she did say that there were unexplained noises, lights would turn on and off, and the energy of the building was very somber and oppressive.

Image courtesy of the Library of Congress

Image courtesy of the Library of Congress

Until September 11th, 2001, the Triangle Shirtwaist fire was the deadliest workplace disaster in New York’s history in terms of loss of life. Although the evidence indicated that supervisors locked the workers in, the factory owners, Max Blanck and Isaac Harris, were found not guilty of manslaughter. They would later lose a civil suit and owe $75 per victim.

The victims though did not die in vain. This event shaped the future of New York City, and  fire equipment and fire codes changed for the better. Out of the ashes Unions grew more powerful and so too worker’s rights. No longer could workers be locked in their work place.  Every year on March 25th, the city’s unions pay their respects at the intersection of Washington Place and Greene Street, and the fire trucks arrive and shoot their ladders to the sky to say that we will never forget.

Trade parade in memory of fire victims - Image courtesy of the Library of Congress

Trade parade in memory of fire victims – Image courtesy of the Library of Congress